THE ENGLISH CLUB

THE ENGLISH CLUB
Mostrando entradas con la etiqueta SONGS. Mostrar todas las entradas
Mostrando entradas con la etiqueta SONGS. Mostrar todas las entradas

19 de noviembre de 2012

HUMPTY DUMPTY


Humpty Dumpty is a character in an English language nursery rhyme, probably originally a riddle and one of the best known in the English-speaking world. Though not explicitly described, he is typically portrayed as an egg. The first recorded versions of the rhyme date from the early nineteenth century and the tune from 1870 in James William Elliott's National Nursery Rhymes and Nursery Songs. Its origins are obscure and several theories have been advanced to suggest original meanings.

Humpty Dumpty was a colloquial term used in fifteenth century England describing someone who was obese. This has given rise to various, but inaccurate, theories surrounding the identity of Humpty Dumpty. The image of Humpty Dumpty was made famous by the illustrations included in the 'Alice through the looking glass' novel by Lewis Carroll. However, Humpty Dumpty was not a person pilloried in the famous rhyme!

The character of Humpty Dumpty was popularised in the United States by actor George L. Fox (1825–77).
http://es.wikipedia.org/wiki/Humpty_Dumpty
http://www.rhymes.org.uk/humpty_dumpty.htm


Lyrics

Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
All the king's horses and all the king's men
Couldn't put Humpty together again.


18 de febrero de 2012

CARNIVAL OF CADIZ


The Carnival of Cádiz is one of the best-known carnivals in Spain. The whole city participates in the carnival for more than two weeks each year, and the presence of this fiesta is almost constant in the city because of the rehearsals, recitals, and contests held throughout the year.

It is a widely-held opinion that the city of Cádiz is blessed with the wittiest people in Spain, so it is not surprising that the main characteristics of the carnival in Cádiz are the acerbic criticisms, the droll plays on words, stinging sarcasm, and the irreverence of parody. While some carnivals, elsewhere in the world, stress the spectacular, the glamorous, or the scandalous in costumes, Cádiz distinguishes itself with the sheer cleverness and fertile imagination of its carnival attire. It is traditional to paint the face as a humble substitute for a mask.

It is easy to get involved in the fiesta even if one is a visitor and knows no Spanish. On Saturday, everyone wears a costume, which, many times, is related to the most polemical aspects of the news. However, the Carnival of Cádiz is most famous for the satirical groups of performers called chirigotas. Their music and their lyrics are in the centre of the carnival.

The most famous groups are the chirigotas, the choirs, and the comparsas

The chirigotas are well-known witty and satiric groups that train for the whole year to sing about politics, topics in the news, and everyday circumstances, while all of the members wear identical costumes. There is an official competition in Teatro Falla, where many of them compete for a group award. Their songs are all original compositions and are full of satire and wit. Each chirigota – whether a professional group or one made up of family members, friends or colleagues – has a wide repertoire of songs. They sing in the streets and squares, at improvised venues like outdoor staircases or portals, and in established open-air tablaos (tableaux) organized by the carnival clubs.

The choirs (coros) are larger groups that travel through the streets on open flat-bed carts or wagons, singing, with a small ensemble of guitars and lutes. Their characteristic composition is the "Carnival Tango", and they alternate between comical and serious repertory, with special emphasis on lyrical homages to the city and its people. The costumes are, by far, the most sophisticated and elaborate of all.



The comparsas are the serious counterparts to the chirigotas in Cádiz. Poetic lyrics and criticisms are their main ingredients. They usually tend to have a more elaborate polyphony, and they are easily recognized by the typical countertenor voice.






Other groups can be found in the streets: the quartets (cuartetos), that, oddly, can be composed of five, four, or three members. They don't bring a guitar, only a kazoo and two sticks, that they use to mark the rhythm. They use set-piece theater scenes (pre-written skits), improvisations, and music, and they are purely comical.

The minimalist carnival groups in Cádiz are the romanceros, perhaps the oldest, and, certainly, the most invariant carnival representation in Cádiz throughout history. A romancero is a single costumed person who brings a big easel on which posters help him to tell a story with images. The romancero recites humorous verses while pointing at aspects of the pictures and drawings with a long stick.